The Alvin Ailey Dance Theater has become a cultural landmark in the world of dance. For the last six decades, dancers from the iconic company have performed signature masterpieces all over the globe. Now as we celebrate the holidays during these unprecedented times, the theater debuts its first virtual engagement to honor one of its classic ballets called Revelations.
Alvin Ailey American Dance Theater Artistic Director Robert Battle joins "GMA" live to share a sneak peak of the Company’s groundbreaking new season, titled "Ailey Forward."
For 17 years, New York City Center’s annual Fall for Dance festival has relied on a winning formula. Naturally, this year is somewhat different. Still, it was the new pieces that dazzled. Jamar Roberts, the resident choreographer of Alvin Ailey American Dance Theater, presented a solo, “Morani/Mungu (Black Warrior/Black God).” A big, beautiful dancer, Mr. Roberts has no trouble impersonating a god, powerful enough for battle yet benevolent. But the dance also reveals his rarer gifts of subtlety and singular musicality.
Join us for a conversation with living legend, Judith Jamison. Ms. Jamison is the Artistic Director Emerita for Alvin Ailey.
Alvin Ailey American Dance Theater is the latest company to move ahead with new work while performing arts spaces remain almost completely shut down in New York. The troupe's monthlong December season will include a world premiere from Jamar Roberts, Ailey's choreographer in residence, and the debut of a collaborative response to Alvin Ailey's "Revelations" by Matthew Rushing, Clifton Brown and Yusha-Marie Sorzano.
Yoga instructor with Ailey Extension, Pilin Anice shares some professional yoga tips made easy.
A celebration of the Alvin Ailey American Dance Theater and its educational mission, featuring dancer Solomon Dumas.
Thousands of creative artists are fighting for their survival as the entertainment industry remains mostly shut down, but new ways of working are starting to pop up, along with a stronger push for federal relief. A New York City rooftop becomes a stage. No curtain rises, but the Alvin Ailey American Dance Theater returns for a season that debuts new works and reinvents classics like “Pas de Duke,” as in Duke Ellington, by putting them online. The videos were filmed atop landmarks, like the Woolworth Building.
Today, Zoey Anderson, Corey John Snide, and I are all professional dancers thriving in the industry. But we were once anxious, excited young college students in NYC, hoping to make it big. The three of us graced the September 2013 Dance Spirit Higher Ed Issue cover together. Anderson graduated from Marymount Manhattan College in 2015, the same year Snide graduated from The Juilliard School; I completed the Ailey/Fordham BFA Program in 2016. Recently, we reconnected to talk about how we've grown over the years.
Some dances seem timeless; Jawole Willa Jo Zollar’s Shelter seems perennially timely. Created in 1988 in response to homelessness on the streets of New York, the piece was taken into the repertory of Alvin Ailey American Dance Theater in 1992. Zollar adapted it for her company performances in New Orleans, post-Katrina, and the Ailey company revived it again in 2017. Now showing in the online Ailey All Access season, it has become newly urgent during the coronavirus crisis.