Alvin Ailey American Dance Theater

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Broadway World - Dancer Spotlight: Hannah Alissa Richardson Of Ailey II Performing At The Ailey Citigroup Theater 3/23 To 4/3

Broadway World - Dancer Spotlight: Hannah Alissa Richardson Of Ailey II Performing At The Ailey Citigroup Theater 3/23 To 4/3

First-year Ailey II member Hannah Alissa Richardson will join, the celebrated second company to Alvin Ailey American Dance Theater, as they return to their home, The Ailey Citigroup Theater, for a highly anticipated two-week season featuring 10 performances from March 23 to April 3. In the first New York Season led by Artistic Director Francesca Harper, the gifted 12-member ensemble will showcase their artistry in three programs featuring premieres and returning favorites: Dichotomous, New Lens and Pulse, as well as the special celebrating Robert Battle's 10th anniversary program paying homage to his visionary leadership and Ailey journey, which began in 1999 choreographing Mood Indigo for the second company. Broadwayworld had the pleasure of interviewing Hannah Alissa Richardson about her career and the upcoming performances by Ailey II.

NYC Media Barefeet in NYC - Black Voices

NYC Media Barefeet in NYC - Black Voices

Season 5: Ep. 1: Mickela Mallozzi kicks off this new season of Bare Feet celebrating black voices in the arts by dancing with Virginia Johnson and the renowned Dance Theatre of Harlem, along with Misty Copeland and the Alvin Ailey American Dance Theater! She drums and dances with the Brooklyn United Marching Band, celebrating Juneteenth with Black-owned small business owners, restaurants, and festivals throughout the city!

Windy City TImes - Dancer Vernard Gilmore 'Reflects' On Alvin Ailey, Dance, His Own Feelings

Windy City TImes - Dancer Vernard Gilmore 'Reflects' On Alvin Ailey, Dance, His Own Feelings

Twenty-five years is a long time to be involved in any discipline. Now imagine having to be in prime physical shape all that time—on the level of an elite athlete. Vernard Gilmore, who grew up in Chicago, has been with the Alvin Ailey American Dance Theater for a quarter-century. He began his training at Curie Performing and Creative Arts High School before studying at the Joseph Holmes Chicago Dance Theater and then moving to New York City. Gilmore is currently featured in Alvin Ailey's solo "Reflections in D" and takes center stage in other classics such as Revelations and Blues Suite. Gilmore, who's openly gay, recently talked with Windy City Times about Alvin Ailey, the evolution of dance, the Ailey documentary and his own feelings during the past two years that have challenged everyone.

The Chicago Tribune - Alvin Ailey Dancers Show Features South Elgin Dancer Sarah Daley-Perdomo

The Chicago Tribune - Alvin Ailey Dancers Show Features South Elgin Dancer Sarah Daley-Perdomo

A local dancer will perform for a hometown crowd when the Alvin Ailey American Dance Theater comes to Chicago. Sarah Daley-Perdomo, who grew up in South Elgin and graduated from St. Charles North High School, is a company member of the Alvin Ailey American Dance Theater and will perform at the Auditorium Theatre in Chicago March 2-6. Daley-Perdomo, 35, started out in ballet when she was five years old and continued her training at the Faubourg School of Ballet in Hanover Park. "It was something I realized I had a talent for and wanted to see how far I could go," she said.

The Atlanta Journal Constitution - Alvin Ailey Troupe Returns To The Fox

The Atlanta Journal Constitution - Alvin Ailey Troupe Returns To The Fox

Instinct rather than intention guided Robert Battle, artistic director of the Alvin Ailey American Dance Theater, when he choreographed the image of dancer Renaldo Maurice, a Black man, draped in the American flag. Battle had envisioned his piece, “For Four,” as a light opener to a jazz score capturing the pandemic’s pent-up energies. But at some level, Battle said, he needed to respond to the murder of George Floyd and “these fragile times in our democracy.”

Dance Magazine -

Dance Magazine - "Why I Dance" Ailey's Jacqueline Green On Representation In Dance

As a Black girl from the inner city of Baltimore, I hadn’t known anything about the codified world of dance growing up. Ballet was something I had only seen on TV—and who I saw in it never looked like me. I never thought that would be my future. My first introduction to dance was at my audition for the Baltimore School for the Arts, and from there a love bloomed.

The Philadelphia Sunday Sun - James Gilmer: From A Dream To The Alvin Ailey American Dance Theater

The Philadelphia Sunday Sun - James Gilmer: From A Dream To The Alvin Ailey American Dance Theater

Pittsburgh native James Gilmer always had a love for the arts. Growing up in a family that was musically and artistically inclined sparked an interest in dance at an early age. His parents began cultivating his love for dance by putting him in a ballet and tap sampler class at the Larry Cervi School of dance when he was just five years old. Gilmer went on to receive a scholarship to attend the Pittsburgh Ballet Theatre School when he was 8 years old. After graduating high school, he was accepted into the second company at the Cincinnati Ballet and joined the main company shortly thereafter. Eventually he went on to dance with ODC Dance Company in San Francisco before landing his dream job in New York. In 2019, Gilmer became a member of the prestigious Alvin Ailey American Dance Theater. Gilmer spoke with the SUN about his journey in the world of dance, his dream job with the Alvin Ailey American Dance Theater and the Alvin Ailey American Dance Theater’s upcoming performance at the Kimmel Center Cultural Campus.

The Washington Post - Pandemic Revived Ailey Dance Company Director's Own Creativity

The Washington Post - Pandemic Revived Ailey Dance Company Director's Own Creativity

When he became the artistic director of Alvin Ailey American Dance Theater 10 years ago, Robert Battle stopped seeing himself as a choreographer. “In fact,” he said in a recent phone interview, “there were parts of me that didn’t really think I would make another work.” Paradoxically, making work is precisely why Battle had landed at Ailey in the first place in 2011. It was his skill as a choreographer and director of his own small troupe, Battleworks Dance Company, that caught the attention of one of the world’s most prestigious modern-dance organizations. Judith Jamison, Battle’s champion and predecessor at Ailey, hailed him as “the creative force of the future.”

1 2 315 16 17 18 1999
Showing 161170 of 981 Items